Music-Making Behind Bars: The Many Dimensions of Community Music in Prisons

Mary L. Cohen, Jennie Henley

Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

Abstract

Approaches to incarceration and community music vary widely. This chapter examines music-making in US and UK prison contexts, suggesting new insights into the values, applications, and meanings of community music. Contrasting approaches towards imprisonment exist not only across the globe, but also within particular countries. In the United States, a wide range of practices within the contexts of imprisonment occur, such as differences in incarceration rates between whites and people of color, sentence lengths, use of capital punishment, voting rights, and quality of legal representation. Inmates’ opportunities for self-expression are restricted. Research and practice in music-making in prisons suggest that community music approaches within prisons provide a means towards desistance, improved self-esteem, social support and a sense of accomplishment. Music-making within the complex power dynamics of prison contexts emphasizes the importance of the welcome and hospitality within our understanding of community music.
Original languageEnglish
Title of host publicationThe Oxford Handbook of Community Music
PublisherOxford University Press
Chapter8
Pages153-172
ISBN (Electronic)9780190219529
ISBN (Print)9780190219505
DOIs
Publication statusPublished - 2018
Externally publishedYes

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