Abstract
Anthony Brown (tenor saxophone and commissioner) Grant Russell (double bass).
An evolving dialogue between sax and bass sees them seeking common agency. Sometimes this is discursive, sometimes argumentative. Often the strategy is role play and imitation; the bass might attempt to occupy the saxophone register or inflection whilst the saxophone, for example, might attempt a bass technique like ‘pizzicato’. Slap tongue for the sax and hitting the belly of the bass become analogues of each other. Sometimes they find common ground through rhythmic or melodic unisons - and sometimes they don’t! But in the end, everything is connected…
An evolving dialogue between sax and bass sees them seeking common agency. Sometimes this is discursive, sometimes argumentative. Often the strategy is role play and imitation; the bass might attempt to occupy the saxophone register or inflection whilst the saxophone, for example, might attempt a bass technique like ‘pizzicato’. Slap tongue for the sax and hitting the belly of the bass become analogues of each other. Sometimes they find common ground through rhythmic or melodic unisons - and sometimes they don’t! But in the end, everything is connected…
| Original language | English |
|---|---|
| Place of Publication | United Kingdom |
| Publisher | Divine Art |
| Edition | Anthology, MEX77101 |
| Media of output | Sound Recording |
| Publication status | Published - 12 May 2023 |
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