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Abyssal Noise: Representations of Death and Dying in Extreme Metal Music

  • Francesca Stevens
  • , Jasmine Hazel Shadrack (Editor)
  • , Gary Levy (Editor)
  • , Marie Josephine Bennett (Editor)

Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

Abstract

This contribution is an investigation into the palpable connection of extreme metal music and concepts of death, dying and mortality. Like other dark subcultures, metal has an intense infatuation with the macabre; many of its subcultures seek to uncover meaning through musical exploration into varying dark themes that emerge when thinking about death and what lies beyond the bounds of existence. From the abrasive and animalistic blood lust of death metal to the melancholic textures of black metal and the sonic void evoked in doom metal, extreme metal is a catalyst through which fans of the macabre can explore many perceptions and conceptions of corporeal fragility; the consuming pain of life, of death, and of knowing; and the existential notion of the ungraspable abyss. This chapter explores these varying conceptualisations of death in extreme metal culture, their sonic representations and their cathartic consolation: delving into the psychoanalytic reasoning and embodied sound of death.
Original languageEnglish
Title of host publicationodying the Music and Death Nexus
Subtitle of host publicationConsolations, Salvations, Transformations
PublisherEmerald Publishing
ISBN (Print)9781801177672
Publication statusPublished - 2022

Publication series

NameEmerald Interdisciplinary Connextions

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