Opera and the Musical Canon, 1750–1815

Glatthorn, Austin (CoI)
Joubert, Estelle (PI)

Research

Dalhousie University

Project: Research

Status	Finished
Effective start/end date	1/09/15 → 1/07/18

Funding

Social Sciences and Humanities Research Council of Canada: £7,800.00

2 Review article
1 Scholarly Edition
1 Article

Philon und Theone
Benda, G. & Glatthorn, A. (Editor), 2020, Middleton, WI: A-R Editions. (Recent Researches in the Music of the Classical Era)
Research output: Book/Report › Scholarly Edition › peer-review
The Legacy of 'Ariadne' and the Melodramatic Sublime
Glatthorn, A., 2019, In: Music and Letters. 100, 2, p. 233-270
Research output: Contribution to journal › Article › peer-review
JOHANN MICHAEL HAYDN (1737–1806) DER KAMPF DER BUßE UND BEKEHRUNG Sylvia Hamvasi, Elisabeth Scholl, Tünde Szabóki, Zita Váradi, Mária Zádori (soprano soloists)/Purcell Choir, Orfeo Orchestra/György Vashegyi Carus 83.351, 2014; one disc, 80 minutes
Glatthorn, A., 2017, In: Eighteenth-Century Music. 14, 1, p. 140-142
Research output: Contribution to journal › Review article

5 Oral presentation
3 Invited talk
1 Organising a conference, workshop, ...

Arranging the Popular: Viennese Harmonie Arrangements of French opera, ca 1800
Glatthorn, A. (Invited speaker)
2018
Activity: Talk, presentation, and live performance › Invited talk
The Holy Roman Imperial Nationaltheatre and the Musical Canon, c. 1800
Glatthorn, A. (Invited speaker)
2018
Activity: Talk, presentation, and live performance › Invited talk
The German Nationaltheater: A Space for the Performance, Development, and Proliferation of Opera (1775–1800)
Glatthorn, A. (Speaker)
2017
Activity: Talk, presentation, and live performance › Oral presentation

Centenary Prize Competition
Glatthorn, A. (Recipient), 2019
Prize: Best Paper Prize
Postdoctoral Research Fellow
Glatthorn, A. (Recipient), 2016
Prize: Personal Fellowship Awarded Competitively