Personal profile
Person Introduction
Dr Simon Clarke is Senior Lecturer in Philosophy and Music and Deputy Head of Graduate School at the Royal Northern College of Music. Beginning with his 2010 article ‘Line and Colour: Instrumental (Ir-)Rationality in Adorno’s Musicology’, his focus has been the aesthetic foundations of traditional ontology, very much in the Derridean line, though this has more recently developed into a self-styled 3D philosophy (Deconstruction, Dialectics and Dialetheism). In this vein, ‘Debussy’s Speculative Idea: Orchestration and the Substance of Jeux‘, reading Debussy through Hegel’s Science of Logic, was published by the Journal of the Royal Musical Association in 2018. More recently, both ‘Aporetology or Aporetography in Derrida and Badiou’ and (2020) and ‘Nothing Else Matters: Dialetheism and the Event of Sovereignty’ (2022) have appeared in the French journal MaLiCE.
Current Research
David Horne and I are in the final editing stages of our monograph Music in Contradiction: A Study of Logic and Musical Meaning – here, the idea is to interpret music in accordance primarily with Graham Priest’s Logic of Paradox (LP), along with the work of his fellow ‘paraconsistent frontierspeople’ Hegel, Heidegger, Adorno, Althusser, Derrida and Butler (update 2026: now contracted with Routledge, the full manuscript submission being due on 01.05.26).
Education/Academic qualification
PhD, Doctor of Philosophy, University of Manchester
Award Date: 1 Jan 2011
Master, Master of Philosophy
Award Date: 1 Jan 2003
Master, Master of Music
Award Date: 1 Jan 2002
Bachelor, Bachelor of Music, Institute of Contemporary Music Performance
Award Date: 1 Jan 1999
External positions
Artistic Director and Guitarist, Vulgar Display
2011 → …
Fingerprint
- 1 Similar Profiles
-
Music in Contradiction: A Study of Logic and Musical Meaning
Clarke, S. & Horne, D., 2027, (In preparation) Abingdon: Routledge. (Routledge Research in Music)Research output: Book/Report › Book › peer-review
-
‘Nothing Else Matters: Dialetheism and the Event of Sovereignty’
Clarke, S., 2022, In: MaLiCE, Le magazine des littératures et des cultures. 13Research output: Contribution to journal › Article › peer-review
-
‘Logics of Inexistence: ‘Aporetology or Aporetography’ in Derrida and Badiou’
Clarke, S., 2020, In: MaLiCE, Le magazine des littératures et des cultures. 10Research output: Contribution to journal › Article › peer-review
File4 Downloads (Pure) -
‘Debussy’s Speculative Idea: Orchestration and the Substance of Jeux’
Clarke, S., 2018, In: Journal of the Royal Musical Association. 143, 1Research output: Contribution to journal › Article › peer-review
Open AccessFile14 Downloads (Pure) -
Line and Colour: Instrumental (Ir-)rationality in Adorno’s Musicology
Clarke, S., 2010, In: Contemporary Music Review. 29, 4, p. 359-365 7 p.Research output: Contribution to journal › Article › peer-review
-
Derrida, Undecidability and the Paradoxical Unity of the Object
Clarke, S. (Speaker / presenter)
13 Jul 2026 → 17 Jul 2026Activity: Talk, presentation, and live performance › Oral presentation
-
British Journal of Aesthetics (Journal)
Clarke, S. (Reviewer)
26 Mar 2025Activity: Publication peer-review and editorial work › Publication Peer-review
-
Supervised Devon Bonelli, 'Fag on the Dance Floor: De/Reterritorializing through Composing Queer, Theatrical, and Narrative Music' [composition, completed March 2025]
Horne, D. (Examiner), Clarke, S. (Examiner) & Salem, S. (Examiner)
2025Activity: Examination › PhD Supervision
-
‘Strange alogical logic’ and The Immanence of Truths: Dialectics, Deconstruction, Dialetheism
Clarke, S. (Speaker / presenter)
1 Jul 2024Activity: Talk, presentation, and live performance › Oral presentation
-
Supervised Matthew King, 'Sonata, what do you mean to me? Creative dialogues with a form' [composition, completed June 2024 at Guildhall School of Music and Drama]
Clarke, S. (Examiner)
May 2024Activity: Examination › PhD Supervision