Bofan Ma

Bofan Ma (马博凡) is a composer-performer, intermedia researcher and multidisciplinary artist based in Manchester and Northwest England. Originally from China, he makes music that embodies an intricate entanglement between sound, images, performative actions, as well as a normalised, transnational artistic identity.

His work often draws on instrumental theatre, multimedia, preconditioned improvisation, and materials associated with historically and culturally-informed stereotypes. He is a keen researcher and practitioner of applied Artificial Intelligence technologies, creatively articulating a mutual, ongoing encounter between the subjective self and an increasingly problematised digital world.

Having completed a PhD in composition at the Royal Northern College of Music in Manchester in 2021, he was the first Post-doctoral Research Associate at the RNCM Centre for Practice & Research in Science & Music (PRiSM) and is currently the RNCM Research & Knowledge Exchange Post-doctoral Fellow. He is the Chair and the current Artistic Director of the Manchester branch of the international network of Contemporary Music for All (CoMA), a community-based new music group with a focus on inclusivity and accessibility. Between 2025-26, Bofan is one of the ten 'In Motion' artists supported by Sound and Music.

Bofan has worked with ensembles/initiatives including Shanghai Conservatory Chinese Symphony Orchestra, London Sinfonietta, Psappha, International Contemporary Ensemble, Ensemble Mise-en, Ensemble X.y, Distractfold Ensemble, ANU Productions Ireland, Drake Music, Vonnegut Collective, Music Theatre Wales. His music has been heard across the globe, namely in the Shanghai Spring International Festival (China); Mise-en International Festival (USA); Hearing Art Seeing Sound International Festival (Armenia); Darmstädter Ferienkurse (Germany); The Irish Museum of Modern Art (Ireland). His work has gained international recognition in recent years, including features in the Irish Times, the New York Times, RTÉ Lyric FM (Culture File), Olympias Music Foundation (Mapping Migrant Voices), among others.

• Artistic Research and intermedia musical practices
• Music Technology and data inclusion
• Interdisciplinary collaboration
• Digital Humanities

• Technology-assisted music-making and instrument learning
• Musical gamification/communication of real-time air quality data
• Transnationalism in and through music